LOTE 117:
Sefer Mevakesh HaShem – Sefer Dvar Shmuel – Venice, 1596 / Sefer Be’urim by Rabbi Natan Shapiro – Venice, 1593 – ...
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IVA: 17%
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Sefer Mevakesh HaShem – Sefer Dvar Shmuel – Venice, 1596 / Sefer Be’urim by Rabbi Natan Shapiro – Venice, 1593 – Signatures of Rabbi No’ach Chaim Tzvi Berlin Author of Atzei Almogim
* Sefer Mevakesh HaShem, sermons on weekly Torah portions. Rabbi Shmuel Chagiz. Venice, [1596].
* Sefer Dvar Shmuel, on commentary of Rashi on the Torah, by Rabbi Natan Shapiro of Horodna. Venice, [1593].
* Sefer Be'urim, on Rashi commentsry on the Torah, by Rabbi Natan Shapira from Horodna. Contains several illustrations: map of land of Israel, ladder of Ya’akov, Menorah of the Temple and more. [Handwritten gloss in Italian writing].
This is a forged book. At the height of the printing of the original book Imrei Shefer in Krakow [between years 1590-1597], this commentary, whose author is unknown, was printed in the name of Rabbi Natan Shapiro, as related by his son in the introduction of the book Imrei Shefer. This resulted in the banning of the book by rabbis of Poland [see attached material].
All three books bound together in ancient elegant leather binding. Unidentified signature from 1698. First two title pages contain signatures “Chaim Hirsch son of Rabbi Meir Berlin”. The Ga’on Rabbi No’ach Chaim Tzvi Berlin (1734-1802), Dayan in Fürth and Av Beit Din of Metz and Hamburg; well-known as giant of his generation. In a response, Rabbi Chaim of Volozhin wrote to him: “His opinion is as valuable to me as the opinion of one of the Rishonim” (Chut HaMeshulash, clause 9). His significant and well-known books are: Ma’ayan HaChochma, Atzei Almogim and Atzei Arazim. [Composed additional book, Atzei Besamim, on Even Ha’Ezer which was not published, see Kedem catalogue, auction 6, item 399].
258, [8] leaves; 48 [instead of: 44] leaves; 180 leaves. 20 cm. Good condition. Stains, slight wear and tears on several pages. Colorful edges. Ancient binding, leather covered wood, ornamented with geometric and floral patterns and human images. Remnants of metal clasps.
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