Subasta Bidspirit | Attr. to Rufino Tamayo (1899-1991)
Attr. to Rufino Tamayo (1899-1991) - Sandias, 1958. Oil/Sand on Canvas Signed: Signed and dated ‘TAMAYO 0-58’ (upper right); inscribed ‘Sandias oleo 1958’ (on the reverse of the canvas). Dimensions: Artwork: 38 × 46 cm | 15 × 18.1 in Provenance: Reportedly acquired in Rome in the late 1950s by the grandfather of the present owner; Thence by descent within the family (Rome, Italy, and later Germany); Private Collection, Germany. Condition: Overall good condition. Please contact us to request a detailed Condition Report. Conditions of Sale: This lot is sold “as is” and “as attributed”. The attribution reflects the opinion of the auction house and is considered final. The sale of this lot is final. By placing a bid, you confirm that you have read and agree to our Terms and Conditions in full. Shipping: Aurora & Athena does not provide in-house shipping. The successful buyer arranges shipping directly with a company of their choice. For shipments outside the EU, Spanish export tax may apply to certain higher-value artworks; no export tax applies within the EU. Any such tax is payable by the buyer. Please refer to our Shipping & Export Information page for further details. -- Attributed to Rufino Tamayo. This striking composition featuring the iconic motif of watermelons—a subject synonymous with Rufino Tamayo’s exploration of Mexican identity—is a profound study in texture and monochromatic intensity. Executed in 1958, the work utilizes a deeply resonant palette of reds, characteristic of the artist’s mature period, to transform a simple still life into a meditative, almost architectural space. The triangular, geometric precision of the fruit contrasts with the tactile, weathered surface of the background, creating a dialogue between form and atmosphere. Tamayo’s ability to imbue everyday objects with universal, symbolic weight is fully realized here. The deliberate treatment of light and shadow, combined with the rich, impasto application of paint, suggests an ancient, elemental quality that transcends the limitations of traditional still life. This composition stands as a compelling testament to the artist’s enduring fascination with the interplay of color, indigenous heritage, and modern abstraction.