Subasta Bidspirit | Pieter van der Westhuizen (1931-2008)

Pieter van der Westhuizen (1931-2008) - Four Faces, 1986. Woodblock Proof Print Signed: Hand-signed and dated “1986” by the artist. Dimensions: Framed: 42.5 × 31.5 cm | 16.7 × 12.4 in Artwork: 19 × 12.5 cm | 7.5 × 4.9 in Provenance: Family Collection, Spain: Part of a distinguished private collection of artworks and antiques. Acquired from a gallery or at auction in Cape Town, South Africa, between 1991 and 1995 to furnish a local residence. The collection was subsequently relocated to Spain following the family’s departure from South Africa. Condition: Excellent condition; professionally framed and glazed; colors and paper remain well-preserved. Conditions of Sale: All lots are sold as is. See Section 4 of our Terms and Conditions for return policy. All inquiries must be made prior to bidding, as no further details can be provided after the sale. By placing a bid, you confirm that you have read and agree to our Terms and Conditions in full. Shipping: Aurora & Athena does not provide in-house shipping. The successful buyer arranges shipping directly with a company of their choice. For shipments outside the EU, Spanish export tax may apply to certain higher-value artworks; no export tax applies within the EU. Any such tax is payable by the buyer. Please refer to our Shipping & Export Information page for further details. -- This compelling woodblock proof is a significant example of Pieter van der Westhuizen’s graphic mastery. The composition features four stylized faces arranged in a tight, geometric configuration, showcasing the artist’s ability to blend modernist structural rigor with expressive, rhythmic lines. As a proof impression existing outside the standard numbered edition, this work offers a rare glimpse into the artist’s studio process. The inclusion of his signature green chop mark authenticates the work and places it within a pivotal period of his career, just years before his major international recognition in Madrid. The work captures the “quiet charm” and contemplative humanity that defined his diverse body of work.