Subasta Bidspirit | Hector Hyppolite (1894-1948)

Hector Hyppolite (1894-1948) - Peasants at the Harvest. Hector Hyppolite (1894-1948) | Haiti Oil on Board Signed: Signed ‘H. Hyppolite’ (lower right) and titled ‘Pizan yo nan rekôt la’ (lower center). On the reverse bears various pencil inscriptions and numbers. Dimensions: Artwork: 73 × 60.5 cm | 28.7 × 23.8 in Provenance: Haitian Center of New York at Carlebach, New York (label verso). Private Collection, USA. Private Collection, France (acquired from the above in 1970). Acquired from the above by the present owner in 2006. Condition: Overall good condition. Please contact us to request a detailed Condition Report. Conditions of Sale: All lots are sold as is. See Section 4 of our Terms and Conditions for return policy. All inquiries must be made prior to bidding, as no further details can be provided after the sale. By placing a bid, you confirm that you have read and agree to our Terms and Conditions in full. Shipping: Aurora & Athena does not provide in-house shipping. The successful buyer arranges shipping directly with a company of their choice. For shipments outside the EU, Spanish export tax may apply to certain higher-value artworks; no export tax applies within the EU. Any such tax is payable by the buyer. Please refer to our Shipping & Export Information page for further details. -- Pizan yo nan rekôt la (Peasants at the Harvest) is a vibrant and deeply evocative work by Hector Hyppolite, the undisputed master of the Haitian art renaissance. The composition transports the viewer into the heart of rural Haiti, depicting a lively harvest scene set against a backdrop of rolling, verdant mountains. Hyppolite’s intuitive mastery of color and form is on full display: the rich, earthy tones of the landscape are punctuated by the bright, rhythmic garments of the peasants and the vivid red of the harvested crops. The absence of traditional perspective creates a flattened, almost dreamlike pictorial space that is both immediate and monumental. Championed by prominent figures of the surrealist movement such as André Breton, Hyppolite infused his scenes of everyday Haitian life with a profound sense of spiritual and cultural vitality. In this particular canvas, the harmonious interaction between the figures and their environment transcends simple documentation, becoming a poetic celebration of the land and its people. Executed with his characteristic uninhibited brushwork, this painting stands as a powerful testament to Hyppolite’s unique vision and his enduring legacy in Caribbean art.